Sideways Day 2: Photos
The second day of the Sideways festival was a blast. Sunny, sold out, with an enthusiastic crowd enjoying a full day of music. This first edition was a success and the festival is already set to return next year.
Here are some images from Saturday.
…And You Will Know Us By The Trail Of Death
Sideways Day 1: Photos
The Sideways festival is on at the old abattoir Teurastamo. Day one was a warm day and a cold night that offered some great performances from a Frank Zappa-inspired Ariel Pink, Matthew E. White, who rocked hard with a Velvet Underground cover included and The Jesus And Mary Chain playing their classic Psychocandy in its entirety to the joy of the more grown up part of the audience.
Matthew E. White
The Jesus And Mary Chain
Sideways: Modern music in the slaughterhouse
The summer festival season kicks off this weekend in Finland and it does it with a brand new festival in Helsinki called Sideways that offers everything the modern music fanatic expects. I’m ready. Are you?
Located in Teurastamo, an old redbrick abattoir turned into a complex of trendy restaurants and creative workspaces, in his first edition Sideways has positioned itself as a small-scale Flow festival. Similar music, similar audience. The lineup includes everything any Pitchfork reader wants to hear and see from rap and hip hop artists (Earl Sweatshirt, Freddie Gibbs) to post-punk classics (Killing Joke, The Jesus & Mary Chain) to singer/songwriters troubadours (Mirel Wagner, José Gonzalez) to hipsters favourites (Ariel Pink). And not least, there will be playing a good bunch of talented bands from Finland. But hey, where’s the punk?
It will be two days of endless walking from stage to stage (it’s good for you), lines for drinks and food (you want it) and toilets (you need it), bumping into old acquaintances (don’t be shy if you see your ex), hopes of sun and warm weather (do not forget a jacket, though) and music, lots of music (no earplugs needed). Isn’t it awesome?
Here are a few unimportant facts about Sideways you may or may not need to know.
Get a sugar high
If you don’t fancy other substances, you can get your favourite sweet treats at the festival. The syrupy couple running the cute candy shop Roobertin Herkku, in the hipster district of Punavuori, is taking its shop to Sideways.
Be the pinball wizard
Ryan Adams is not playing at Sideways so there won’t be any of his pinball machines near at sight, but if you wish to take a break from music, you will be able to time travel to the 80s and enjoy a true arcade hall experience.
Show us your duck face
No photo, not happening. Take your best shots and of tag with the official festival hashtag #sidewaysHEL and our own tag #rosvot. We want to see you, you’re beautiful.
Stop in the pits
Any city festival must have a quality culinary offer. In Teurastamo there are some good (and meaty) restaurants, like B-Smokery and Roslund, whose burgers are tasty and juicy, even though the shop staff are not very kind (go there at your own risk, you’re warned). During the festival there will also be truck food (yay, Tacobot!) and even chef Richard McCormick’s delicacies.
Hear the music
The music at Sideways will be very diverse so everyone can find their own favourites. Here’s my own Sideways playlists. If you are seeing some of these bands, come say hello.
The Rosvot guide to Sideways
Introducing: Faenimal Arm
Formed by artists Emil Järnefelt and Mia Ojapalo, indie outfit Faenimal Arm recently released their debut EP which brings together spooky electronic beats and dreamy guitars. Get to know the band with this interview.
For those who do not know about the band, could you introduce yourselves? Tell us who you are and what you do.
We are a band and a couple, Mia and Emil. We met two years ago outside of a bar, fell in love and started to do weird art stuff together. First, we had this spoken word-project that got it’s inspiration from Mia’s poems. Few months later Mia started to make beats, thus we started this whole band thing together.
One can’t really help asking you about the band name, where does it come from?
We started of as Animal Farm, since Mia’s vision was to include lot’s of animal voice samples to our songs. Then we realized that there were too many bands called just that, and so we changed it to Faenimal Arm.
Do they lyrics carry any story?
There is no lyrical theme in this EP. One of our songs, Johnny Boy, kind of tells about lost love, but also those lyrics leave the story quite open.
What inspired you to create this music?
We were creating new stuff throughout the last summer, but in the end things started to fall into place last autumn, when we went to the countryside for a week. We composed most of these songs then. We don’t actually know what we were inspired by when making the songs, but after they were made we were definitely inspired by the atmosphere and vibe they had.
How’s your working relationship as a duo?
Many times we start with Mia making the beats, then Emil usually gets some ideas for the melodies and other stuff. We come back together as we start working with the lyrics and vocals.
You recorded the EP in the middle of the winter, how did it affect your sound?
Emil: I remember it was the time when there was no sun in the sky for a month or so in November, but we didn’t really notice it since we were indoors all the time. I think that the most important thing for us was maybe the idea that we wanted to move forward and release a record.
You worked with artist Nick Tulinen, how was that collaboration?
Mia: Nick Tulinen is a dear friend of ours and we are always surprised by the outcome in a good way. You can maybe get a sense of that from our music video for Industrial Sex, which has been made by only us three. Being filmed or photographed by a close friend is a lot more intimate (and fun!) than having many people around and putting up a role.
Now that the EP is out, what does the rest of the year hold for you?
Well, we are really looking forward to making new music and having a great and relaxing summer. :)
The psychedelic sounds of the Black Lizard
It is not popular music any more. Not very popular, at least. Yes, there are few hipsters getting their hands dirty in crates full of old vinyls, searching for weird, colorful records with strange drawings on the covers, from bands with impossible names. Maybe some fanatics might put together small festivals, but being under 30 years old and playing in a psychedelic, garage rock band nowadays can be tough. Is there anybody out there, one could wonder,, while feeling out of time and space. The only chance to survive is to follow the muse and play what feels right. Fortunately, this is exactly what Helsinki band is doing. And they rock. They are called Black Lizard.
I liked Black Lizard the very first time I listened to one of their songs. I have a soft spot for fuzzy, hypnotic, slightly retro sounds, so I was sold quickly. I got mesmerised by their fuzzy, hypnotic sound. Their debut album came out in 2013 and it wasn’t exactly cozy like summer breeze. It was intense, eerie, primitive and raw, almost abrasive. It was a weekend with no sleep, high on psychedelics under a dark red light. Head-spinning, leather jacket and sunglasses in the basement, just like listening to The Velvet Underground on a bad day.
Aware of the gloomy evil Sunday that was their debut, Black Lizard decided to invert their sound by overexposing their music to light, and so their sophomore album came to be called Solarize. It’s not like the band did a shiny happy people album, but the music in this second album is much brighter and positive, a little bit more pop, if you allow me this expression. It relates to the good-feeling psychedelia of the sixties. Think about The Rolling Stones in colourful wizard outfits playing the flute. It’s that kind of psychedelia, a good trip, but with more guitars and distortion, and it becomes most apparent with the Solarize’s opening track Everything and Nothing.
Just a few days before the album was out, I catch up with Paltsa-Kai Salama (guitar, vocals), Joni Seppänen (guitar, keyboards) and Lauri Lyytinen (bass) to talk about Solarize. Drummer Onni Nieminen, who also designed the album artwork, is down with the flu tells me Joni. We meet in a very traditional Finnish pub, there’s no craft beer there, but there’s no karaoke either. A local place for local people. While we drink a couple of pints, Paltsa asks me a couple of times if I think the new album is different. I tell him that yes, it is much more original, and he appears somehow content and relieved. I understand this is the recognition he expects to achieve with this sophomore album, to sound different, to sound original.
I first ask them how much effort they put planning the new LP, how difficult was to face the expectations after the well-received debut. “We usually do not plan a lot”, Joni replies. “This album reflects where we are, it’s maybe a bit different sound and different feeling”.
Solarize was entirely recorded in Helsinki in three days at the studio for basic tracks followed by some additional overdubs and vocals at the band’s rehearsal place. All the pieces fell into place right from the beginning, and even the early demos presented the album’s final running order, which by the way, is flawless with each song smoothly advancing into the next one. “It felt right that way”, says Palsta. “We didn’t think about anybody’s expectations or the first album. We did what we wanted”.
Paltsa and Joni have been friends forever, since they were kids. It is easy to imagine them discovering music together, listening to old records, drinking cheap beer, having a smoke. Two teenagers discovering Cream’s Disraeli Gears and Jimi Hendrix’s Electric Ladyland. Together, they’ve got the charm of classic rock pairs, their own version of Jagger/Richards. “We have loved sixties music for a long, long time. Joni has a huge record collection, very obscure stuff. We’ve spent years listening to that. I was nine when I first got to hear Sgt Pepper’s and since then it’s been my favourite record”, says Paltsa. “Probably it comes from our moms”, adds Joni. “For me it was mind-blowing to hear The Rolling Stones, The Beatles. It all came from there”.
Both are music fanatics and they pour all these influences into Black Lizard, and many others that came later and were more obvious in their debut such as The Jesus & Mary Chain, Primal Scream and My Bloody Valentine. To complete the band, they found the perfect rhythm section in Onni and Lauri with who they share a similar music sensibility and obsession. Paltsa has no doubts of their great contribution to the songs in Solarize, “We have played longer together now and they felt more confident. They came with great ideas and helped with the arrangements”. Just listen to the bass line in Everything And Nothing or the fantastic machine-gun drums in All Her Time.
Black Lizard recorded part of their first album in Berlin, invited by Anton Newcombe, the mastermind behind psychedelic band The Brian Jonestown Massacre. They met the american singer and multi-instrumentalist when his band played in Helsinki in 2012. Black Lizard were opened the show and Newcombe, who liked their act, invited Black Lizard to his studio in Berlin. There, the Finns felt like kids in a candy store. “He has so many different instruments, many guitars, synths, mellotron and we were like can we try?”, tells Joni. During the recording in Berlin, which lasted three or four days, Anton Newcombe became a mentor for Black Lizard and their debut album. Recording abroad also gave the band some discipline. “Until then, we had only recorded a couple of EPs, so we didn’t know what it takes to record a whole album, to come up with nine good songs at the same time”, admits Paltsa, “and we probably don’t know yet what we’re doing but we have more control”. This one of the learnings in Berlin. “Being abroad had an influence. It was a bit strange. We couldn’t go back home, so we were focused on recording, from one morning until the next one”.
That album ended on a bitter note, with a song called Fucking Up. “I tend to write lyrics when I feel bad”, explains Paltsa. Solarize, however, is the other side and the last song is a ray of light. “This time I felt I didn’t want to leave that bad vibe at the end”. The last track, Shine High, ends with a gleaming guitar jam, adorned by sitar, bringing hope. Life is not that bad after all.
In summer, Black Lizard will play festivals, including Flow Festival, but your next chance to see the band live will be at the Sideways festival in Helsinki (12-13 June) where they get to share the bill with one of their favourite bands, The Jesus & Mary Chain. Black Lizard feel comfortable play live, it’s a natural setting for them, their own songs even better, more inmediate, and they might throw a curve ball in the form of a Buddy Holly or a Motörhead cover. “It’s nice to cover something different, not the obvious choice”, says Joni, while Paltsa jokes that “the most boring thing we could do is to cover Just Like Honey. Maybe next time we’ll do a Metallica song, something from Kill ‘Em All”.
Black Lizard have already played a good bunch of gigs abroad in Europe, including a stop at the legendary Roundhouse in London. “That was so special”, remembers Joni, grinning. “Everybody’s been here. Jimi Hendrix, The Doors, Pink Floyd with Syd Barret. That gig was big for us. I never dreamt to play there”.
After two albums and a couple of EPs, all release via Soliti, Black Lizard are ready to reach new heights. “We don’t want to be stuck here. We want to go outside. We’ve done it and we want to do it again.”
They only need to follow the muse.